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, a pair of movies that follow Ethan Hawke’s Jesse and Julie Delpy’s Celine around for the best part of 90 minutes apiece. If you’ve not had the pleasure of either, they’re really worth getting hold of.Not least because it’ll make the following news even better: while nobody was looking, Linklater, Hawke and Delpy have shot the third film in the series., as it’s believed to be called, finished shooting earlier this week in Greece, and while it’s unclear yet when we can see the film, we’re both thrilled it’s been made, and impressed it’s been done so completely under the radar.A boy obsessed with 50s sci-fi movies about aliens has a recurring dream about a blueprint of some kind, which he draws for his inventor friend.American tourist Jesse and French student Celine meet by chance on the train from Budapest to Vienna.
It's when you remember how little you thought about the people you broke up with and you realize that is how little they're thinking of you.To my surprise, it completely lacked the cynicism of the 1990s.It's impossible to really talk too much about it, since there is no real plot, so to speak (although there are plenty of thoroughly interesting things you could talk about; it is sort of like My Dinner With Andre, where there is a conversation, but it's not JUST the conversation that matters), but let me just say, see it. It's wonderful on so many levels I don't know where to start. If Julie Delpy doesn't get an Oscar nomination it would be a shame (the only stupider thing the Academy could do is have 10 best picture nominations.) Ethan Hawke's performance is brilliant in its own way, however, it's a less showy part and I'm not certain it'll get the recognition it deserves. Sharp, intelligent, biting, humorous, with staggering subtext, but most importantly--it feels real.If the screenplay doesn't get an Oscar nomination it would be a shame (the only thing stupider the Academy could do is have 15 best picture nominations.)Rick Linklater is now officially the Jedi master of indie filmmaking (Yoda Soderbergh actually said he's giving up filmmaking.) SLACKERS was only 22 years ago, and Linklater has matured into one of the most original filmic storytellers in the history of the medium.
With the help of a third kid, they follow it and build themselves a spaceship. Director: Joe Dante Two up and coming triple threats try to fight their way through the insanity of the perverted world of Hollywood and Film and go insane thinking they've got it all. Directors: John Ottman, Bryan Singer John's mom has a heart attack and ends in hospital.